How to use Canon EOS 1DS Mark III landscape settings – Getting Started
Discontinued in December 2007, the Canon EOS-1Ds Mark III was the third and last of the Group 1Ds full-outline line.
At the point when it was discontinued, it held the title of being the most noteworthy DSLR with a 21-megapixel CMOS sensor.
Contrasted with the Canon Imprint II, the Imprint III included a few new highlights.
For example, it incorporated sensor cleaning, Live View (an electronic viewfinder mode), and a bigger 3.0″ essential shading LCD.
Also, you will get 63 zone exposures metering, an EOS Integrated Cleaning system, 19 cross-type autofocus system and other significant features.
It further comes with software like Photostitch, EOS Utility, Digital Photo Professional, and Images Browser or Zoom Browser.
The landscape photo was taken by Canon EOS 1DS Mark III.
Steps to follow for amazing landscape photos with Canon EOS IDS Mark III:
Step 1. Use a wide-angle lens to give your images depth and emphasize the vastness.
Your choice of lens is probably the first thing to decide as a landscape photographer. There is a wide range of focal points. By using a wide-angle lens, however, you can capture a vivid picture.
Popular lenses for Canon EOS IDS Mark III
|Wide Angle Lens||Aperture||Focal Length|
|Canon EF 14mm f/2,8 L II USM||f/2,8||14 mm|
|Canon EF 16-35mm f/2,8 L USM||f/2,8||16-35 mm|
|Canon EF 16-35mm f/2,8 L USM II||f/2,8||16-35 mm|
|Canon EF 24mm f/1,4 L II USM||f/1,4||24 mm|
|Canon EF 35mm f/1,4 L USM||f/1,4||35 mm|
|Canon EF 8-15mm f/4 L USM Fisheye f/4||8-15 mm|
|Canon EF TS-E 17mm f/4 L||f/4||17 mm|
|Canon EF TS-E 24mm f/3,5 L II||f/3,5||24|
Step 2. Set exposure compensation to zero
Your camera contains a little button with a +/- on it. Press it to vary the exposure compensation. While pushing that button, turn the main dial of your camera right or left.
That will change the exposure compensation. Turning the dial, you can reduce the exposure, and therefore the other way increases it.
With every click, the exposure changes with 1/3rd of the settings. Changing exposure gives a profound change in photos giving it a 3D look.
Step 3. Change color Space from SRGB to Adobe RGB
Adobe RGB has more prominent color space and allows you to supply more vibrant colors on-screen and in prints. As a landscape photographer, you’re handling great hues in nature.
Considering all things, sRGB is a standard shading space utilized for a web show.
At the point when you transfer photographs on the web, your pictures will show in sRGB shading space, regardless of whether you insert sRGB or Adobe RGB shading space in your photos.
Now, when it comes to print, making use of Adobe RGB makes a big difference. It entitles you to create more striking and accurate tones on your prints.
Step 4. Activating live view mode
This is a useful gizmo for landscape photography and is merely effective in live-view mode. When you activate the live view mode – i.e., look at your composition on the camera’s LCD screen rather than the viewfinder, you will see a photograph with a reproduced presentation on your screen.
This is especially beneficial if you are utilizing channels. For instance, when using a 10-stop channel to take a picture, you won’t see anything other than pitch dimness when glancing through your viewfinder.
It’s a lot simpler to take scenic photographs in live mode when you are utilizing channels.
Step 5. Disable auto rotation.
The default camera setting will whirl automatically, letting you view all of your images in a horizontal camera position.
However, this becomes somehow inconvenient once you want to look at your images vertically after taking each photo in a vertical orientation on a tripod.
Canon EOS IDS Mark III was one of the best cameras of that era. For a landscape photograph, a wide lens is mandatory to get the most out of the vast features of the camera.
Also, with little alterations in SRGB colors, giving much more info about the colors. Modifying images with increasing contrast and sharpness will add up to the quality and effectiveness of the picture.